ENGL 1C -- Dr. Hanson -- mhanson@bcconline.com -- Barstow Community College

ENGL 1C – Critical Thinking and Composition

Lesson 1

Introductory Instructions

There will be 8 lessons total; they will be available to access through the Barstow College online course system. Most students will access one lesson at a time, finish it, and email the assignments for the professor grade to Dr. Hanson. Then the student will progress on to Lesson 2 and so forth. Dr. Hanson will email you each week, letting you know that the assignments were received, and what grade you received on that week’s assignments.

If you have problems doing your assignments for Lesson 1 or any lesson, just email me for help or clarification: mhanson@bcconline.com.

***The first thing you are to do is to email the instructor, Dr. Hanson, and let me know that you are in my summer session ENGL 1C online course. This way I will have a working email address for you and can contact you whenever I need to.*** As part of this email, you will also write a brief biography/personal profile about yourself of about 5 to 10 sentences (5 sentences minimum), so that the instructor can get to know you better. Tell me about your past life, family, friends, favorite subjects in college, favorite foods/colors, sports interests, leisure time activities, hobbies, and/or languages you speak. Please note this introduction will also be posted in the discussion group so you can get to know your classmates as well.

Here is some information about Dr. Hanson:

A graduate of SDSU in California (BA) and UNLV in Nevada (MA, PhD), I will be celebrating my 32nd year of teaching in secondary and post-secondary settings in September 2008. In September 2008, I will be working full-time at Barstow College, and I am very excited about moving and starting a new life in California. I am also looking forward to working with the students of Barstow College. I grew up as a child in San Diego, CA, went to high school in the San Fernando Valley, and taught high school for 15 years in central California.

I write and publish my academic research. My most recent publication is the book "Decapitation and Disgorgement: The Female Body as Text in Early Modern English Drama and Poetry" (8th volume in the series "Studies in English Literatures," Edited by Koray Melikoglu, published by Ibidem-Verlag, Hannover, Germany, September 2007, also available on Amazon.com).

My personal interests include swimming, knitting, embroidery, cooking, home decorating, travel, letter writing, and the fine arts including painting, opera, ballet, and theatre. I have traveled to England, France, Italy, Switzerland, Germany, Austria, the Caribbean, Hawaii, Canada, Mexico, and Japan as well as taking a cruise down the Mississippi River and taking car trips all over the west coast and mid-western, southern, and south-western United States.

I have a number of collections including figures by Lladro and Royal Dalton, limited edition plates, masks from my travels, Wizard of Oz and Betty Boop memorabilia, hummingbirds, and Japanese art and decor. I love Mexican, Italian, and Chinese food, but ice cream is at the top of my list of favorite foods. Also in the first email, please re-type the following paragraph, typing your name at the end of the paragraph as a signature:

I will maintain a working email address during the time that I am in Dr. Hanson's ENGL 1C summer class 2008. I consent to having Dr. Hanson email me whenever she needs to. I understand the course grading policy and all other policies set forth in the course syllabus. I understand what materials I must hand in to pass this course and that I must hand in all assignments by July 24 at midnight. I am aware of the BC plagiarism policy.

Information about Lessons:

You will be given 6 lessons with instructions, lecture, reading, and assignments to complete. Each lesson will include reading from the textbook, a written exercise that accompanies the reading, and a discussion/commentary, an essay to compose, and critical thinking lecture and sometimes an exercise. Each assignment will be graded on quality and quantity; the assignment should be complete, thorough, creative, and should meet the sentence or page-length requirements to receive full credit. If the assignment is done poorly, I will send you an email asking you to redo the assignment, giving you instructions on how to do this, and then asking you to re-submit the assignment for full credit.

There will be an online midterm short and long essay exam and a proctored final essay exam; these 2 exams will be graded A through F -- 90% or above correct is an A, 80% to 89% correct is a B, 70% to 79% correct is a C, 60% to 69% correct is a D.

Lecture #1 – Critical Thinking -- A Definition and an Introduction

Critical Thinking is the art of analyzing and evaluating thinking with the goal of improving one’s thinking capabilities. Good writing requires sound judgment and good critical thinking.

Critical thinkers routinely apply intellectual Standards to the Elements of reasoning to develop Intellectual Traits.

Future lessons will discuss these sections in depth:

1. The Standards – Clarity, Accuracy, Precision, Relevance, Depth, Breadth, Logic, Significance, and Fairness

2. The Elements – Purpose, Question, Information, Concepts, Assumptions, Inferences, Point of View, Implications

3. Intellectual Traits – Humility, Courage, Empathy, Autonomy, Integrity, Perseverance, Reason, Fairmindedness

The critical thinking lectures will be applied to Essay #, so the student needs to pay close attention to these lectures.

Instructions for Homework #1 – Due June 9 at midnight

Be sure to keep copies of your work on disk or on your hard drive in case assignments are lost; that way if Dr. Hanson needs you to email or re-paste your assignment, you still have a copy.

If you have to email your assignment to Dr. Hanson as an attachment, put all of the work for the week in one file. If you cut-and-paste assignments or attach assignments to Dr. Hanson’s email, be sure the assignments are typed and saved as an MS Word document. Dr. Hanson cannot pull up any other files. Do not create separate attachments for each assignment you complete for this class:

1. Reading #1

In Cultural Conversations textbook

Chapter 1 -- Gender: Is One Born a Woman?

Read pages 30-35 from Virginia Woolf’s (1882-1941) famous literary work A Room of One’s Own and the essays by Monique Wittig, pages 99-111 and by Eve Sedgwick, pages 113-122. The word "feminism" is controversial for many people: they envision political feminists picketing and marching in the streets for women’s rights as the suffragettes did at the end of the 19th century and as 1st wave femininsts did during the 1970s. However, there is a group of feminists who are primarily writers, not activists. They try to change people through the use of words. Monique Wittig and Eve Sedgwick are two of these contemporary feminists. Wittig is a contemporary French feminist and Sedgwick is an American feminist. French, British, and American literary feminism encompasses different areas of study. The French feminists are concerned with language and manifestations of language; they are greatly influenced by psychoanalytic theory, especially the ideas of Jacque Lacan. American feminists are more interested on literary texts than language. They study the works of male writers and the way female characters are oppressed in these literary works. They also study the works of female writers from the past, attempting to recuperate voices that did not loom large in the literary canon (the list of literary works that most people are required to read in school -- the cream of the crop in writing) years ago. British feminists are more interested in how politics and history affects women’s issues. They write because they want to create social change. Virginia Woolf definitely falls into this group; her book A Room of One’s Own was written in the hopes of creating social upheaval.

The title refers to Woolf’s discussion of the gender roles of men and women in English Victorian society (from 1850 to the turn of the century). A woman in a patriarchal culture (a society governed by men) had no possessions and few rights; this woman had no space that was private in which to think or write, no space to be alone. A woman from the aristocracy or upper middle class would be expected to make her husband’s life an easy one; she must also keep the household in order and tend to the children. To be a writer of consequence, the writer must have a quiet space in which to think. How could women in past history become great writers if they were oppressed in this manner? In the passage you will read, Woolf speculates on what would have happened if William Shakespeare (1564-1616) had a sister named Judith with the same intellectual capacities as her infamous brother, Will. Would Judith have been a successful author, one to rival her brother’s brilliance?

Reading Discussion

The discussions/commentaries in each lesson are connected to the textbook reading and exercises. Your reading responses and discussion comments in this class can be in expository/essay form, but they don’t have to be. You could write a short story, an obituary, a diary entry, a business letter, or a paragraph (10 sentences minimum). If you prefer, your reading response could be a poem, a skit, a recipe, or a list (10 lines minimum). I encourage my students to be creative in their reading response writings.

Reading Exercise

Write a 10-sentence minimum response to question #3 on page 42, using the life of Judith Shakespeare as the fictional thread. Completely cover all aspects of the question.

Reading Exercise #1 Submittal Form

Name: (Always use your real name in this box)
Email: (Enter your exact email address)

Introduction -- Required

Body Paragraph #1 -- Required

Body Paragraph #2 -- Optional

Conclusion -- Required

Lesson #1 Discussion topic:

After reading the excerpt from Virginia Woolf's "A Room of One's Own," write a 10-sentence minimum paragraph response or a 10-line creative response concerning gender roles in the 21st century. How have the role relationships between women and men changed since the turn-of-the century when Woolf was alive? How do you personally define the words "man," "woman," "feminine," and "masculine"? Is one born a woman or man? What kinds of acculturation takes place in US society to mold an individual into a certain gender behavior?

You do not have to respond in paragraph/expository form although you can if you want to. I encourage students and give higher grades to students who design creative comments and responses to our critical discussion topics posted here. You could write a poem, a skit, a short story, a personal anecdote, an obituary, a recipe, a letter, a diary entry, song lyric, editorial, or any other form of writing you prefer, as a way of responding to the critical thinking question posted here.

Also, you do not have to respond to all the questions listed as part of the discussion/commentary instructions. These ideas that I have included here are supposed to help you think about the reading in the textbook and the issues attached to the reading. Your response can be about the textbook reading or about any or all of the ideas listed in the prompt above for your discussion/commentary that you will write for that textbook reading for this week.

By the way, a great book on the subject of gender identity for future reading, if you are interested, is "Gender Outlaw" by Kate Bornstein.

2. Essay Writing #1

In this lesson you will write the first of 6 essays in this class, covering 6 different rhetorical genres. You will write 6, 1-page essays of 2-2 ½ pages or 40 to 50 sentences each minimum; these 6 essays will exemplify one of the following 6 rhetorical genres: Literary Analysis, Critique, Comparison/Contrast, Critical analysis, Definition, and Argumentation. At the midterm, you will be asked to write a 2-2 ½ page or 40 to 50 sentences minimum Synthesis essay applying all of the types of writing studied thus far to a new topic, and at the end of the course, you will be asked to write a 2- 2 ½ page or 40 to 50 sentences minimum essay of Synthesis (using at least 3 of the rhetorical genres studied throughout this course). Each essay you write should be an example of your best writing.

You are encouraged to email the professor a draft of your essay before you hand it in each week; in this way, I can give you comments to help you improve your essay so that you can revise the essay and get the best grade possible when you hand it in for grading. Drafts must be emailed to Dr. Hanson and received by midnight the Friday before the essay is due. Dr. Hanson will not comment on essay drafts emailed at the last minute.

Writing #1

To begin, use the following handouts printed below, Essay Analysis and Essay Snapshot, as an outline for your literary analysis of one of the essays you read this week. You may choose the essay by Woolf, Wittig, or Sedgwick. Fill out these 2 outlines on the essay from the textbook you have chosen. Use these 2 handouts to help you formulate your essay. The essay should be on only one reading from the textbook and should be 2-2 ½ pages of 40 to 50 sentences in length. MLA form (parenthetical citations and works cited) will be taught in a later lesson and therefore is not needed in this essay, although you may use MLA form if you would like to.

A literary analysis of a piece of writing dissects the writing to show the assets of the composition. The purpose of the literary analysis is to show off how the writer uses composition tools to create a masterpiece. These are the sorts of things that should appear in all of the essays you write for this course. Writing #1 asks you to analyze someone else’s writing. It does not ask you to interpret, or give the meaning of the writing, nor does it ask you to criticize the writing, or tell whether the writing is well done or poorly crafted. An analysis simply looks at the writer’s style and how the writer uses language and organization and sentence structure to create a successful composition.

This essay must be written in 3rd-person voice (they, them, their, his, himself, her, herself, them, themselves, person, people). You may not use 1st person (see writing #1 for details) and you may not use 2nd person voice (you, your, yourself, yourselves) in this essay. The essay must use deductive organization: an introduction paragraph, a body of several paragraphs, and a concluding paragraph.

The purpose of the introduction paragraph is to grab the reader’s attention so they will want to read more of your essay. The thesis of the essay appears in the introduction paragraph and in the concluding paragraph. The purpose of writing this essay must appear in the first paragraph of the essay. Your purpose is to inform the reader about the writing style of the author. The body is the analysis of the essay from the textbook that you read by Woolf, Wittig, or Sedgwick. To create the body of your essay, first fill out the outlines below (Essay analysis and Essay snapshot). The Essay analysis and Essay snapshot must be included with the essay when you post it for grading. The Concluding paragraph gives the reader something interesting to ponder after the reader has finished reading the essay.

You must keep copies of all your work this term saved in case you are required to submit work again for any reason. You—not the instructor--are solely responsible for saving copies of all your work this term. Please remember that any and all of your work submitted may be checked for plagiarism.

The instructor is aware that the interactive forms will remove the double spacing in your paper and will not count you down for this. However, should she choose to copy and paste your paper into a word processor the length when double-spaced should be 2-2 ½ pages of 40 to 50 sentences in length..

Once your essay is done, spell and grammar checked and saved, use copy & paste to place the essay below in the submittal box.

Writing #1 Submittal Form

Name: (Always use your real name in this box)
Email: (Enter your exact email address)

Introduction -- Required

Body Paragraph #1 -- Required

Body Paragraph #2 -- Optional

Conclusion -- Required

ESSAY ANALYSIS

1. Type of essay (information, description, explanation, autobiography, narration, cause/effect, comparison/contrast, speculation, process, classification/division, persuasion, argumentation)

2. Author’s purpose in writing essay

3. Questions essay invokes in reader

4. Use of details

5. Emotions evoked in the reader

6. Values/attitudes of author

7. Voice (commanding, soothing, charming, urgent, intimate, reserved)

8. Style (form, structure, rhetoric, syntax/including vocabulary choice and sentence variety)

9. Subtext/Connections inside and outside essay

10. Critique of essay (aesthetic merit, power and validity of ideas)

11.Topic and Thesis

12. Coherence (techniques to create smooth flow of ideas)

13. Unity (devices used to unify elements of essay)

14. Organization style

15. Mechanics (use of grammar, sentence structure, punctuation)

16. Development of argument

17. Use of research material

ESSAY SNAPSHOT

Author:

Title:

Date of Publication:

  1. What is the subject of this essay? What topics does it cover?

  2. Was this essay written for a particular occasion? If so, which one? Why does the speaker consider it important?

  3. Which other authors does the speaker mention in the essay? What does the speaker say about them?

  4. To what audience does the speaker address the essay?

  5. >Which part(s) did you find most interesting? Why?
  6. Which part(s) did you have trouble understanding? Why?

All of the expository paragraphs/compositions will be grade using the following key:

P – Purpose

T – Original Thesis

U – Unity of Composition

O – Organization (deductive or inductive)

Com – Completeness (specific details and examples used as proof of the thesis)

Coh – Coherence (use of transitions)

SS – Sentence structure (fragments, run-ons)

SV – Sentence pattern variety

D – Diction (interesting use of vocabulary variety, including figurative language)

M – Mechanics (spelling, grammar, capitals)

Dev – Development of argument

L – Page length

E – Ethos (ethics, morality, authority)

Pa – Pathos (emotions, feelings)

Lo – Logos (logic, reason)

K – Kairos (timing, organizing)

click here to go to the home page click here to email the instructor click here to go to the discussion group